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	<title>Constant Beta &#187; Media</title>
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	<link>http://jinalshah.com</link>
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	<pubDate>Tue, 18 Nov 2008 18:23:57 +0000</pubDate>
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		<title>Rich Intelligence</title>
		<link>http://jinalshah.com/2007/09/04/rich-intelligence/</link>
		<comments>http://jinalshah.com/2007/09/04/rich-intelligence/#comments</comments>
		<pubDate>Tue, 04 Sep 2007 21:21:15 +0000</pubDate>
		<dc:creator>Jinal Shah</dc:creator>
		
		<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://jinalshah.com/2007/09/04/rich-intelligence/</guid>
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			<content:encoded><![CDATA[<p><a href="http://stylestation.typepad.com/photos/uncategorized/2007/09/04/intelligent_lfe.jpg"><img class="image-full" title="Intelligent_lfe" alt="Intelligent_lfe" src="http://stylestation.typepad.com/photos/uncategorized/2007/09/04/intelligent_lfe.jpg" border="0" style="FLOAT: left; MARGIN: 0px 5px 5px 0px" /></a> As a strategic business move to attract affluent advertisers (alcohol, cars, watches and other high-end products) The Economist is relaunching a&nbsp; quarterly magazine called Intelligent Life. The new, magazine with fresh design that teters dangerously on a fashionesque glossy mag look/feel also has a content-rich website at <a href="http://www.moreintelligentlife.com">More Intelligent Life</a>.</p>
<p class="times">News outlets and blogs are comparing Economist&#8217;s move with Intelligent Life to Tyler Brule&#8217;s content-rich book for intelligent readers, Monocle. </p>
<blockquote dir="ltr"><p class="times">Ad buyers say magazines like Intelligent Life and Monocle reach an important audience: wealthy people, particularly men, who like expensive goods and dislike fashion magazines, preferring newspapers and current-affairs magazines like the Economist. - WSJ </p>
</blockquote>
<p class="times" dir="ltr">What&#8217;s disturbing to me about developing magazine concepts to gain advertising, is that their first priority is not their readers or audiences. The magazine industry is unfortunately a balancing act but without compelling content, it&#8217;s just another glossy. Tyler Brule set the subscription and issue price for Moncole as high as $10 per issue to ensure, in a way, that the magazine wasn&#8217;t being run by their advertisers. He also believes that &quot;Intelligent Life was relaunched to grab advertising that would have otherwise gone to Monocle. &quot;For us to be on the newsstand alone, it could be a scary thing for [the Economist Group],&quot; Mr. Brûlé says. Although Economist maintains that Moncole played no part in their decision.  </p>
<p class="times" dir="ltr">It&#8217;s baffling to me that a magazine would launch with a real point-of-view and a clear distinction in the marketplace. I&#8217;m still rooting for Brule&#8217;s Moncole and hoping that intent will survive the moolah. </p>
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		<item>
		<title>Why journalists should stick to what they know best.</title>
		<link>http://jinalshah.com/2007/07/25/why-journalists-should-stick-to-what-they-know-best/</link>
		<comments>http://jinalshah.com/2007/07/25/why-journalists-should-stick-to-what-they-know-best/#comments</comments>
		<pubDate>Wed, 25 Jul 2007 21:37:30 +0000</pubDate>
		<dc:creator>Jinal Shah</dc:creator>
		
		<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://jinalshah.com/2007/07/25/why-journalists-should-stick-to-what-they-know-best/</guid>
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			<content:encoded><![CDATA[<p>&quot;Journalist Suzanne Boyd combined Caribbean warmth and Canadian cool with European chic and Afican boldness to make her apartment a home like no other.&quot; </p>
<p>- Oprah AT HOME, Summer 2007 Issue </p>
<p>(Should&#8217;ve thrown in a couple more continents&#8230;.) </p>
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		<title>Moments in Digital History</title>
		<link>http://jinalshah.com/2007/07/19/moments-in-digital-history/</link>
		<comments>http://jinalshah.com/2007/07/19/moments-in-digital-history/#comments</comments>
		<pubDate>Thu, 19 Jul 2007 23:21:22 +0000</pubDate>
		<dc:creator>Jinal Shah</dc:creator>
		
		<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://jinalshah.com/2007/07/19/moments-in-digital-history/</guid>
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			<content:encoded><![CDATA[<p><a href="http://stylestation.typepad.com/photos/uncategorized/2007/07/19/facebookbiz20group.jpg"><img class="image-full" title="Facebookbiz20group" height="210" alt="Facebookbiz20group" src="http://stylestation.typepad.com/photos/uncategorized/2007/07/19/facebookbiz20group.jpg" border="0" style="FLOAT: left; MARGIN: 0px 5px 5px 0px; WIDTH: 353px; HEIGHT: 210px" /></a> Members of a<a href="http://www.facebook.com/"> facebook</a> ramp up and bring the community together <a href="http://www.facebook.com/group.php?gid=2420762508">to save</a> a flailing print magazine. How ironic is that that the magazine is called <a href="http://money.cnn.com/magazines/business2/">Business 2.0</a> ? </p>
<p>Over 600 members strong (including me) the group is still rallying on to save the print magazine that Time Inc, it&#8217;s parent company hopes <a href="http://blog.fastcompany.com/archives/2007/07/18/web_can_a_social_network_save_business_20.html">to dissolve</a>. </p>
<p>I enjoy the magazine and would hate to see it bite the dust. But this effort will mark a milestone in the history of digital &#8212; a social network as a lifeline to save the fate of a print entity.</p>
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		<title>Monocle - here to stay.</title>
		<link>http://jinalshah.com/2007/07/18/monocle-here-to-stay/</link>
		<comments>http://jinalshah.com/2007/07/18/monocle-here-to-stay/#comments</comments>
		<pubDate>Thu, 19 Jul 2007 00:00:34 +0000</pubDate>
		<dc:creator>Jinal Shah</dc:creator>
		
		<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://jinalshah.com/2007/07/18/monocle-here-to-stay/</guid>
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			<content:encoded><![CDATA[<p>&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; <img title="Cover_home_page" alt="Cover_home_page" src="http://stylestation.typepad.com/photos/uncategorized/2007/07/18/cover_home_page.jpg" border="0" style="FLOAT: left; MARGIN: 0px 5px 5px 0px" /><img title="Mclcover" height="221" alt="Mclcover" src="http://stylestation.typepad.com/photos/uncategorized/2007/07/18/mclcover.jpg" width="169" border="0" style="FLOAT: left; MARGIN: 0px 5px 5px 0px; WIDTH: 169px; HEIGHT: 221px" />&nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; &nbsp;&nbsp; </p>
<p>The magazine industry, like most other traditional media entities has been a flux for the past few years. While there has been much debate and talk around the magazine industry on it&#8217;s deathbed, it hasn&#8217;t stopped hundreds of intreprid entrepreneurs and enthusiasts to launch new magazines every single year. For some, <a href="http://www.trumpworldmag.com/">it&#8217;s a brand extension</a>, another jewel in the crown and for some&#8230; it&#8217;s<a href="http://www,monocle.com/"> passion</a>. In both cases, it is crystal clear. </p>
<p><a href="http://www.monocle.com/">Monocle,</a> a nascent magazine only a few issues old, created a ton of buzz when it launched primarily because of it&#8217;s illustrious founder, <a href="http://en.wikipedia.org/wiki/Tyler_BrÃ»lÃ©">Tyler Brule</a> - the visionary and brilliant editor behind Britain&#8217;s famous <em><a href="http://www.wallpaper.com/">WallPaper*</a> </em>magazine. The 200 some pages of this magazine brim with sparkling wit and editorial insight - a sharp voice in a culture that is so ridden with glossy-fancy magazines with celebrity-like editors at the helm and socialites on staff. Monocle&#8217;s simple vision, &quot;A briefing on Global affairs, business, culture and design,&quot; and craftfully designed book - gives every issue a collectible status. It&#8217;s a book you want to hold on to. The smartest attribute about <a href="http://www.monocle.com">Monocle</a> is that it does not underestimate the intelligence of it&#8217;s readers. Also, that it does not employ an iota of ethnocentrism. It writes about young politicos in Azerbaijan and the ornamental fish business in Japan and puts together a list of world&#8217;s most liveable cities (that do not include New York or London) and it does so because it expects it&#8217;s readers to be (rightfully so) interested in this perspective. The internet, if anything, has only made us more intelligent and more curious to become more intelligent. </p>
<p>I do not know it&#8217;s circulation or it&#8217;s subscription list - and at 75Euros/ year - it is an expensive subscription and even an expensive purchase at $10/issue. It&#8217;s website - complements the book instead of cross-selling subscriptions and advertisers. The advertisors, thankfully respect the magazine&#8217;s environemnt and it&#8217;s international audience. And this strategy interests me because this magazine has no pretenses about who it&#8217;s audience is.</p>
<p> Most mistakes that new magazines (and existing!)&nbsp; make is that they try to create a commerical product that will appeal to the masses &#8212; and thus to advertisers. (Conde Nast&#8217;s <a href="http://www.portfolio.com/">Portfolio</a> for example) Assuming that a magazine&#8217;s audience appreciates glossy paper, expensive photo-shoots and star celebrities is perhaps the single-most insult to the readers intelligence. Ofcourse certain magazines are flourishing and will continue to do so, but perhaps if they understood that the reader is willing to pay a premium for a fresh voice not mired down in efforts to appease advertisers &#8212; we&#8217;d have more magazines like <a href="http://www.monocle.com">Monocle.</a> </p>
<p>Magazines don&#8217;t lose advertisers - they lose their audience. And magazines don&#8217;t die - they burn out trying to bring new advertisers when they perhaps should be wooing their audiences. Moncole, I hope, will continue to keep the balance and it&#8217;s audiences I hope will recognize this and award it with their loyalty. </p>
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		<title>Hot off the press!</title>
		<link>http://jinalshah.com/2007/03/08/hot-off-the-press/</link>
		<comments>http://jinalshah.com/2007/03/08/hot-off-the-press/#comments</comments>
		<pubDate>Thu, 08 Mar 2007 23:18:43 +0000</pubDate>
		<dc:creator>Jinal Shah</dc:creator>
		
		<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://jinalshah.com/2007/03/08/hot-off-the-press/</guid>
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			<content:encoded><![CDATA[<p><a href="http://stylestation.typepad.com/photos/uncategorized/tintin.gif"><img class="image-full" title="Tintin" height="315" alt="Tintin" src="http://stylestation.typepad.com/photos/uncategorized/tintin.gif" border="0" style="FLOAT: left; MARGIN: 0px 5px 5px 0px; WIDTH: 398px; HEIGHT: 315px" /></a> This just in! </p>
<p class="times">Dreamworks will be making a film on the child-hood favorite journalist-cum-detective <a href="http://www.tintin.com ">TinTin.</a> The movie is expected to hit the theaters in 2 years with plans of making more movies, depending on how well the first movie does. </p>
<p class="times">I briefly was enarmored by TinTin&#8217;s technicolor-adventure filled world, but soon moved on to Enid Blyton characters. Although now&nbsp; some 18 odd years later, I can&#8217;t wait to see how TinTin unfolds on the silver screen. </p>
<p class="times">
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		<title>Media Consumption Meme</title>
		<link>http://jinalshah.com/2007/03/05/media-consumption-meme/</link>
		<comments>http://jinalshah.com/2007/03/05/media-consumption-meme/#comments</comments>
		<pubDate>Mon, 05 Mar 2007 23:55:46 +0000</pubDate>
		<dc:creator>Jinal Shah</dc:creator>
		
		<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://jinalshah.com/2007/03/05/media-consumption-meme/</guid>
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			<content:encoded><![CDATA[<p>Anastasia of <a href="http://www.ypulse.com/">YPulse </a>has a very interesting Meme on media consumption that was intiatiated by Marianne Richmond of <a href="http://www.blogher.com/">Blogher</a>. Here&#8217;s my input: </p>
<p><strong>Web:</strong> I read news from <a href="http://www.wsj.com/">WSJ</a>, <a href="http://www.nyt.com/">NYT</a> and <a href="http://www.bbc.com/">BBC.</a> I rely on blogs like <a href="http://www.psfk.com/">PSFK,</a> <a href="http://www.springwise.com/">Springwise</a> and <a href="http://www.thecoolhunter.net/">thecoolhunter</a> for news that interest me the most. I also subscribe to fantastic newsletters like <a href="http://www.veryshortletter.com/">VSL,</a> <a href="http://www.jcreport.com/">JCReport</a>, <a href="http://www.trendcentral.com/">TrendCentral</a>, <a href="http://www.marketingdaily.com/">Marketing Daily</a>, <a href="http://www.mckinseys.com/">AdAge,</a> and <a href="http://www.iconowatch.com/">Iconowatch.</a> Other favorites are <a href="http://www.ypulse.com/">Ypulse</a> and <a href="http://www.wwd.com/">WWD. </a>I also like to stay updated about news in India and sadly, I only trust blogs like <a href="http://youthcurry.blogspot.com/">youthcurry.com</a> and <a href="http://soniafaleiro.blogspot.com">soniafalerio.blogspot.com</a> with this information. I also maintain an active <a href="http://del.icio.us/stylestation28">Del.icio.us</a> feed. My favorite site on the web has to be <a href="http://www.amazon.com/">amazon.com</a> (for obvious reasons pertaining to spending one&#8217;s hard earned cash on items that may have no useful purpose except to make me happy for about 10 seconds) </p>
<p><strong>Communication:</strong> I live on my Yahoo! mail. I know gmail offers free 2MB but I still pay the yearly $20 for more space on my Yahoo! mail. I am on Yahoo messenger, AOL (I don&#8217;t use it much) MSN and Skype. I actively communiate via <a href="http://www.facebook.com/">facebook</a>, <a href="http://www.orkut.com/">orkut </a>and sometimes<a href="http://www.linkedin.com/"> linkedin</a>. I&#8217;m on facebook because my college friends are on it, Orkut because my school and college friends from India are on it. I cannot possibly maintain any more. It&#8217;s tough as it is keeping up with two. It was a conscious decision to not buy a Blackberry or any phone that would allow me access to email. And I intend to prolong this situation until it absolutely demands for it. </p>
<p><strong>Music:</strong> I&#8217;m afraid, it&#8217;s usually just what&#8217;s on my Ipod. I don&#8217;t seek out new music, but I rely on my friends to recommend new music. I&#8217;m a huge fan of soundtracks and am likely to dload music from TV shows and movies via itunes.com </p>
<p><strong>TV:</strong> Does <a href="http://youtube.com/">youtube</a> count as TV or web? I actively watch LOST, Desperate Housewives, Ugly Betty and Grey&#8217;s Anatomy. I LOVE Apprentice but it clashes with DH so I had to make a choice! I&#8217;m addicted to Food Network.&nbsp; Esp. Iron Chef. I also loved Top Chef on Bravo and intend to go back to the show once the new season begins. My guilty pleasure: watching Indian shows on<a href="http://www.musicnmovies.com/"> musicnmovies.com</a> </p>
<p><strong>Movies:</strong> I watch a LOT of movies. Esp. independant cinema. The last movie I watched was Pan&#8217;s Labyrinth. I highly recommend it. My favorite theater are the Ritz in Philadelphia. </p>
<p><strong>Magazines:</strong> I subscribe to <a href="http://www.fastcompany.com/">Fast Company</a>, <a href="http://www.wired.com/">Wired,</a> <a href="http://www.luckymag.com/">Lucky,</a> <a href="http://www.zink.com/">Zink</a> (because I write for them) and most recent addition is the <a href="http://www.economist.com/">Economist.</a> I read <a href="http://www.businessweek.com/">BusinessWeek,</a> <a href="http://www.entrepreneur.com/">Entrepreneur </a>and <a href="http://www.inc.com/">Inc </a>online. But I buy one new magazine every month or so. I highly recommend <a href="http://www.universalnewsusa.com/publisher/index.html">Universal News and Magazines </a>in NYC to check out hard-to-find magazines and foreign titles. When in Philly, I rely on used bookstores or Barnes and Noble. </p>
<p><strong>Books:</strong> My attention span has decreased, I think because I&#8217;m so used to consuming media in short bytes. But I try to read one book a month. The last book I read was Everything is Illuminated- Jonathan Safran ( I recommend it but the epoynmous movie is very nice too) </p>
<p><strong>Newspaper:</strong> WSJ. And yes, I still enjoy reading it on paper. </p>
<p>Ouch, now I feel silly. Feel free to join in and leave a link below if you do! </p>
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		<title>Indian Newspaper industry</title>
		<link>http://jinalshah.com/2007/03/04/indian-newspaper-industry/</link>
		<comments>http://jinalshah.com/2007/03/04/indian-newspaper-industry/#comments</comments>
		<pubDate>Sun, 04 Mar 2007 07:27:17 +0000</pubDate>
		<dc:creator>Jinal Shah</dc:creator>
		
		<category><![CDATA[Media]]></category>

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			<content:encoded><![CDATA[<p>I recently subscribed to the Economist (I&#8217;m a fan of the magazine, but just never got around to subscribing) and an article titled &quot;<a href="http://www.economist.com/business/displaystory.cfm?story_id=8716898">Let 1000 titles bloom&quot; </a>about the Indian newspaper industry caught my eyes. The paragraph below is an extract from the same article.  </p>
<blockquote><p>Competition is forcing once-staid publications to spice up their content. Mumbai&#8217;s <em>Midday</em> tabloid has introduced a bikini-clad version of Britain&#8217;s topless “page-three girls”, called the “<em>Midday</em><br />
mate”. Most broadsheets offer similar enticements in colourful<br />
“entertainment” sections full of Bollywood stars. - The Economist, Feb<br />
15, 2007</p>
</blockquote>
<p>Mumbai&#8217;s Midday is a tabloid I grew up with. The bikini-clad version of Britain&#8217;s topless page-three girls called the Midday Mate is <strong>NOT </strong>a result of the competition nor is it a recent feature. The Midday Mate is a part of India&#8217;s pop. culture that kids in the 90&#8217;s grew up with and it continues (I think) to be a popular fixture of the tabloid. </p>
<p>The Economist wrongly points out that this feature was introduced to beat competition. When Midday introduced this feature, only a handful of newspapers existed in Mumbai/Bombay. It is only in the last 2-4 years has there been such an influx of new entrants in the field. When I was last in Bombay in 2005, the billboards and every available adv. space in the city was saturated with ads from DNA, The Hindustan Times and Mumbai Mirror&#8211; three newspapers that launched around the same time in 2005. <br />I agree with the article that competition is intense but I wish it had been more thorough in researching the article. </p>
<p>Also, I&#8217;m surprised that unlike <a href="http://www.time.com">Time</a> and <a href="http://www.businessweek.com">Business Week</a>, The Economist does not allow for reader comments. </p>
<p>To read about the state of media (TV &amp; newspapers) I strongly recommend Rashmi Bansal&#8217;s blog, <a href="http://youthcurry.blogspot.com">Youth Curry.</a> </p>
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		<title>PocketChange NYC</title>
		<link>http://jinalshah.com/2007/02/09/pocketchange-nyc/</link>
		<comments>http://jinalshah.com/2007/02/09/pocketchange-nyc/#comments</comments>
		<pubDate>Fri, 09 Feb 2007 17:35:08 +0000</pubDate>
		<dc:creator>Jinal Shah</dc:creator>
		
		<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://jinalshah.com/2007/02/09/pocketchange-nyc/</guid>
		<description><![CDATA[  PocketChange is yet another fashionable, sexy-savvy, inner-circle newsletter to have launched in New York. PocketChange covers New York city&#8217;s most expensive goods and services. From the most expensive tuna roll to baked potato and brazilian wax to personal shopper. 
I think the concept is very interesting and with the growing luxury/aspirational market, the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://stylestation.typepad.com/photos/uncategorized/untitled_4.jpg"></a><a href="http://stylestation.typepad.com/photos/uncategorized/pc.jpg"><img class="image-full" title="Pc" height="279" alt="Pc" src="http://stylestation.typepad.com/photos/uncategorized/pc.jpg" border="0" style="FLOAT: left; MARGIN: 0px 5px 5px 0px; WIDTH: 406px; HEIGHT: 279px" /></a> <a href="http://www.pocketchangenyc.com"> PocketChange</a> is yet another fashionable, sexy-savvy, inner-circle newsletter to have launched in New York. PocketChange covers New York city&#8217;s most expensive goods and services. From the most expensive tuna roll to baked potato and brazilian wax to personal shopper. </p>
<p>I think the concept is very interesting and with the growing luxury/aspirational market, the newsletter has tremendous potential. </p>
<p>Check out their scandalous promotional ad in New York magazine. On Wednesday night, PocketChange NYC held a speed-dating session ONLY for extremely wealthy men and extremely hot women.</p>
<p>High-schoolish, but spot on. </p>
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		<title>The Pentagram Papers</title>
		<link>http://jinalshah.com/2007/01/23/the-pentagram-papers/</link>
		<comments>http://jinalshah.com/2007/01/23/the-pentagram-papers/#comments</comments>
		<pubDate>Tue, 23 Jan 2007 19:23:22 +0000</pubDate>
		<dc:creator>Jinal Shah</dc:creator>
		
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		<guid isPermaLink="false">http://jinalshah.com/2007/01/23/the-pentagram-papers/</guid>
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			<content:encoded><![CDATA[<p><img title="Pp_bk_sm" height="268" alt="Pp_bk_sm" src="http://stylestation.typepad.com/photos/uncategorized/pp_bk_sm.jpg" width="319" border="0" style="FLOAT: left; MARGIN: 0px 5px 5px 0px" />Designers are the smartest people, I think. Even smarter than MBA grads. Their approach to problem-solving is more intuitive and experiential. And I love that. </p>
<p>Which brings me to my latest discovery. (Thanks to <a href="http://www.veryshortlist.com/">VSL</a>) <a href="http://www.pentagram.com/">Pentagram</a>, the iconographic design-firm that has lended it&#8217;s genious to numerous campaigns and brand identities (some you may be familiar with, some you may not), has just released a previously in-house, treasure trove of design-papers aptly titled, &quot;<a href="http://blog.pentagram.com/archives/2007/01/the_pentagram_papers_book.php#more">The Pentagram Papers.&quot;</a> </p>
<p>Published since 1975, The Pentagram Papers are a&nbsp; collection of whimiscal and inspiring images that highlight a certain point of view in design. For example, check out this collection of <a href="http://blog.pentagram.com/tintabernacles/">Tin Tabernacles and other buildings</a> for inspiration: </p>
<p>&nbsp; <a href="http://stylestation.typepad.com/photos/uncategorized/01_1.jpg"><img class="image-full" title="01_1" height="129" alt="01_1" src="http://stylestation.typepad.com/photos/uncategorized/01_1.jpg" border="0" style="FLOAT: left; MARGIN: 0px 5px 5px 0px; WIDTH: 157px; HEIGHT: 129px" /></a>&nbsp; <a href="http://stylestation.typepad.com/photos/uncategorized/02_1.jpg"><img class="image-full" title="02_1" height="130" alt="02_1" src="http://stylestation.typepad.com/photos/uncategorized/02_1.jpg" border="0" style="FLOAT: left; MARGIN: 0px 5px 5px 0px; WIDTH: 168px; HEIGHT: 130px" /></a></p>
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		<title>Give us our daily bread</title>
		<link>http://jinalshah.com/2006/11/15/give-us-our-daily-bread/</link>
		<comments>http://jinalshah.com/2006/11/15/give-us-our-daily-bread/#comments</comments>
		<pubDate>Wed, 15 Nov 2006 21:00:55 +0000</pubDate>
		<dc:creator>Jinal Shah</dc:creator>
		
		<category><![CDATA[Media]]></category>

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<p>We watched <a href="http://www.supersizeme.com/">SuperSize me</a> and thought we knew it all. <a href="http://www.ourdailybread.at/jart/projects/utb/website.jart?rel=en">Our Daily Bread,</a> a documentary film about cold industrial salt mines and slaughter houses reminds us just how much we (blissfully?) do not know. From it&#8217;s website, </p>
<blockquote dir="ltr"><p>&quot;<span class="avtext">To the rhythm of conveyor belts and <span class="avtext"><a onclick="window.open(this.href, '_blank', 'width=225,height=127,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false" href="http://stylestation.typepad.com/.shared/image.html?/photos/uncategorized/1132770640355225x127topleft.jpg"></a></span>immense machines, the film looks without commenting into the places where food is produced in Europe: monumental spaces, surreal landscapes and bizarre sounds - a cool, industrial environment which leaves little space for individualism.&quot; </span></p>
</blockquote>
<p dir="ltr" style="MARGIN-RIGHT: 0px"><span class="avtext">Watch trailers <a href="http://www.ourdailybread.at/jart/projects/utb/website.jart?rel=en&amp;content-id=1130864824948">here.</a> </span><span class="avtext">(<a href="http://www.veryshortlist.com/">via</a>) </span></p>
<p><span class="avtext">&nbsp; </span></p>
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